Manga Rant: Ran to Haiiro no Sekai by Irie Aki


Ran to Haiiro no Sekai by Irie Aki could have been one of my most favorite mangas, if only it hadn’t carried one of the creepiest love interests I have ever come across. Kudos to the manga for adding another annoying character to my currently deficient roster of manga characters I hate the most.
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            Truth be told, I like this manga a lot. It’s a fantasy story about this strange family and the shenanigans some of the family members—mostly the youngest daughter—get themselves into. I found out about it after I finished Gunjou Gakusha, a collection of short stories by the same author that definitely made its way to my list of favorites. Ran to Haiiro no Sekai has this Studio Ghibli vibe going for it, from the art style to the magic and medley of unique characters. While the magic is mostly left unexplained, it feels like it doesn’t need to be.
             But this is more of a rant and less of a review. While the free-spirited all-powerful mother is interesting to read about and the older brother Jin is adorable trying to be sensible and protective, this piece is not about them. It’s not about the wonderfully brave Hibi who perseveres even in his very human state or Sango, who is deeply besotted with Jin. Nope, it’s not about the characters that make you stay to read this manga.
            It’s the characters that make you leave—and barf—or both at the same time.
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            I personally didn’t like Ran, the youngest of the brood and also the main character, but I didn’t dislike her either. She’s eight or ten years old, so I have to give her free pass for all the vexatious actions she commits. She’s naïve and gullible, but that’s to be expected. She’s a child.
            Outarou, on the other hand, is thirty-freaking-years-old.
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            So we first get to meet Outarou as this naked dude casually strolling to his penthouse apartment after a failed rendezvous, I’m assuming. We’re told—and shown—that he’s a rich playboy; and by George, there was “bad news” written all over him from the very beginning. Ran, you see, can transform into a beautiful teenager whenever she wears her special rubber shoes. I hope you can tell where this is going.
            Spoiler Alert: Ran tries to fly and ends up in Outarou’s garden. Outarou, being the fuckboy that he is, is alerted to her physical attractiveness. She, on the other hand, is only looking for a friend. He gets touchy-feely and perverted, which she doesn’t seem to take notice to. Because newsflash: she’s a kid; and also, she’s the biggest blockhead—as most of the characters remark—you’ll ever meet.
            You know what? I didn’t think we’d be seeing much of Outarou, or at least, I wasn’t hoping to see him anytime soon. In fact, I was glad when he almost died because his creepiness was downright disturbing. The author, however, decided to keep him for a while; and never have I wanted for a character to just die.
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             I really did love the manga but then there came what I will call the Outarou arc, which I honestly just skipped. Outarou is possessed and Ran stops at nothing to help him, even at the cost of many lives, from what I’ve gathered. They even kissed very deeply just where he was finally dying and I was so grossed out. Judging from the reviews, he even said something along the lines of “I love you even if you’re ten.”
            E-eh-excuse me?
            A commenter was so enamored by this confession and even called his love unconditional.
            You see, where I’m from, we just call it sick.
            Half of the comments love their relationship while the other hand is just plain sickened. I’ll let you guess which side I’m on.
            Some say that their age gap isn’t such a bad thing—that in ten years, where she’s twenty and he’s forty, it wouldn’t matter. I would like to argue by saying that, no, she’s not twenty and therefore she’s not legal. He’s an adult and she’s a freaking minor. He’s in a position of power and she’s a child by every sense of the word.
            Second, even when he found out she’s still actually a kid; he has no qualms making out with her. That’s right—kissing and touching a ten-year-old child. And yet, some people still found this disgusting relationship “romantic.”
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            The thing is, even as a teenager, she’s still remarkably younger than him. But did that stop him from pursuing a teenage girl? Absolutely not.
            Another matter I’d like to point out is that even if she wasn’t a kid, his actions are problematic AF. He’s a philanderer who doesn’t know how to take “no” for an answer. She constantly tells him not to touch her and he reacts by manipulating her into holding his hand. There’s even a scene where she tries to console him in his dream, obviously wearing her teenage body. Because he can control his dream, Outarou (that sick, twisted piece of shi—) imagines her without clothes, practically stripping her. Even when it’s obvious that she doesn’t want to be stripped.
            Oh yeah, he also angrily screams, “Ran is mine and she’ll always be mine!”
            How romantic.
            Let’s be honest here. If she didn’t look gorgeous as a young woman, would he ever actually go for her? Like her for who she is? The way I see it, it’s 99 percent lust and 1 percent delusion.
Vs. Otoyomegatari

I’ve noticed that Mori Kaoru and Ran to Haiiro no Sekai’s Irie Aki have similar art style. Mori Kaoru just happens to be the mangaka of my most favorite manga of all time, Otoyomegatari. This manga is about the tales of brides in Central Asia in the 1800s, and—wouldn’t you know it?—also includes a couple with a glaring age difference. There’s this 20-year-old young woman in an arranged marriage with a 12-year-old boy. To be fair, the first bride isn’t exactly my most favorite character in the manga, and I’m not the biggest fan of this relationship.
            However, the 20-year-old “wife” has never, in any way, shape, matter, or form, abused her power over her young “husband.” She wasn’t handsy with him like Outarou was with Ran. She wasn’t selfish or manipulative like Outarou. She didn’t claim him to be hers and only hers. She didn’t force him to do anything he wasn’t comfortable with. In other words, their relationship had, like Aretha Franklin said, “R-E-S-P-E-C-T.”
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            I would like to reiterate that I really liked Gunjou Gakusha by Irie Aki, but it was also clear that her love interests are somewhat problematic. There’s this thief who kidnaps a princess, throws her in a cell, and spies on her while she’s bathing. Now if you think she’ll kick him where it hurts and bid him good riddance, then you’d be wrong. In the end, she escaped captivity and got married to the guy who put her in a sack. 

Mori Kaoru’s love interests, on the other hand, are nothing short of understanding, patient, and sweet.    Seriously, I’d be happy to take Umar, Joruk, and Sahman from the brides’ hands if ever they decide to leave them.
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